![]() This type style quickly spread, but it was not the only option available. The design of the characters and the printing differences among models were used back then for typewriting identification. Most companies had their own Pica typeface, a monospaced font that fit ten characters to the inch. The shiftless alphabet used in the first commercially manufactured typewriter was soon replaced by a slab-serif design, which would become the unofficial standard among manufacturers in the first half of the 20th century. In the course of the history of typewriters - roughly 100 years - the typefaces designed for the machine grew in number and evolved in shape. Can typewriter be considered a style? If so, what features define a typewriter typeface? To answer these questions, we need to consider two perspectives: the term’s historical origin and its current usage. Nowadays, we often see the word “typewriter” used as a qualifier for certain typefaces. However, there may be some confusion about the use of these two terms together. We all know what “typewriter” and “typeface” mean as separate concepts, so there’s no need to define them. ![]() Photos by María Ramos (bars and wheel) and Olivetti (ball). ![]() These were the three mechanisms used for printing type in typewriters. Type bars, golf ball, and daisy wheel for Olivetti typewriters. ![]()
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